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    Carlos Atanes

Fine necrophilia

Carlos Atanes

 Genre
 
 Duration
Comedia
 
Microteatro
 Actors / Actresses
 
 Characters
  +10     +10
 
  +10     +10
 Audience
 
 Age of characters
Adulto
 
+5 Niños/as
 Format
 
 Created
Grande
 
2017
 Opening
 
 Awards
Inédita
 
Si
 Published
 
 Original language
No
 
Castellano

La sobrecogedora comedia que Edgar Allan Poe olvidó escribir.

Traducciones disponibles: No

Estrenada: Inédita
Fecha del estreno: 2017
Lugar de estreno: Teatro 1
Otros estrenos:

Premio: Premio 1
Otros premios: Premio 2

«¿Qué pasaría si un acontecimiento familiar asumido por todos durante años no fuera del todo cierto? Volver tus raíces, a casa de tus familiares, a veces puede no ser tan bueno si la tranquilidad de tu pueblo se ve con creces superada por las sorpresas. Esto se da con una escenografía compleja para el poco espacio que hay, pero muy conseguida, con replicas de fotografías antiguas y un ambiente oscuro, en el que toda la iluminación parte de una vela. El texto, lleno de puntos cómicos, nos transporta a unos siglos atrás jugando con el español antiguo, tal y como como lo hace la puesta en escena. Si disfrutas con el humor negro, esta es tu obra. Eso sí, no apta para todos los públicos ya que tiene algunos detalles «subiditos» de tono.» Me Lo Dijo El Apuntador

«Un disparate terrorífico de tintes clásicos con una interpretación deliciosa por parte de los actores.» Que Revienten Los Artistas

«Comedia sobrenatural, una revisión “sainetera” de algunos rasgos de la literatura de Poe.» Alejandro Daza, Suburbana Madrid

About playwright
avatar-author
1971
 Spanish nationality Screenwriter, playwright and director. He started his career at 17, making his own short films in Barcelona in 1987, where he developed most of his professional career in film as independent screenwriter and director. Among many acknowledgements, he received the following awards : Best Film Award at the International Panorama of Independent Filmmakers in Athens in 2005, nominated for the  Silver Melies Grand Prize category at the Festival of Fantasy Cinema (2006); the Ignotus  Award attributed by the Spanish association of Science Fiction (2007); Icon Award (Tel Aviv 2007), and Best Film award at the BUT Film Festival in Breda (2010). His films have been selected in the oficial sections of more than 60 film Festivals in Europe, Latin America and the USA He moves to Madrid in 2007, when he decides to become a playwright in parallel to his film career. Those who know Carlos describe his style as follows: "A great creative universe, both in cinema and on stage, with a comon denominator:  nihilism, exasperation and a sharp sometimes desperate sense of humour. A gentle despair, from which emanates a spirit of revolt, situated in some apocalyptic fields, sometimes tangible - an opressive and devastated scenery, an abandoned factory, a world in ruins... - and sometimes moral and psychological. These particular aspects, in addition to the oral richness with which he expresses his creativity, are deeply attractive and tempting. Several of his works were published : some of his plays, novels (Confutatis maledictis in 2007 and Combustion Espontanea de un Jurado in 2012), a screenplay (Aleister Crowley en la Boca del Inferno, 2013), and non-fiction (Los trabajos del directo, 2007). Carlos writes regularly for the digital magazine Coencuentros.es